09 May 2021 – Sexy Beast

This is a kind of an after thought to last week’s post about Guy Ritchie’s English gangster films. After having all the conversations that motivated that post and writing that post and then all the conversations I had from that post, I decided I had to watch “Sexy Beast”. I had never seen it before, but I’d heard about it. I knew that Ben Kingsley was in it and he played an unpleasant character. That was the sum total of my knowledge.

Before watching it, it’s a film that makes sense to be made in a post Guy Ritchie world. It was made after “Lock, Stock…” and around the same time as “Snatch”. It’s directed by Jonathan Glazer, a music video and advertisement director with considerably better credits than Ritchie in those fields, including the incredible video for “Virtual Insanity” by Jamirioquai as well as others by Blur and Radiohead and ads for a host of major global brands. It seems like an obvious choice for a film trying to replicate the success that Guy Ritchie was having. It shares a number of traits with the Guy Ritchie films. It’s a British gangster story. It’s visually slick. The soundtrack features some well known tunes, including one of my least favourite songs of all time, “Peaches” by The Stranglers. And there are some massive characters, something I’ll return to in a moment.

It changes things up in terms of setting and the structure of the story. There’s less of the messing around of a Guy Ritchie caper and obviously it’s mostly based in Spain which leads to a different visual experience. I think tonally it’s different too. In the Guy Ritchie films, everything is supposed to be cool whereas “Sexy Beast” is often a little grotesque. There’s more nuance to the context. Where Guy Ritchie would pause a film and have a voice over explain why a character is scary, “Sexy Beast” builds anticipation for the appearance of Ben Kingsley so the viewer knows he’s bad news. The behaviour of the characters changes. They’re worried. We’re grown ups, we get what’s going on.

And Ben Kingsley’s Don Logan is terrible news for Gal and the crew living in Spain. He’s incredible. In the Wikipedia article for the film, he’s described as “the feared sociopath Don Logan” and that’s putting it lightly. He’s a wonderful creation and one of the most unhinged characters I’ve seen in a while. He has three scenes that each are worth watching the film for alone. There’s his shaving scene, the scene where Gal says he might have come to Spain for more than one reason and his incident in the airport. I’ve included the clips, but if you haven’t seen the film I would suggest you don’t watch them like that. Go and watch the film and see those scenes in the their natural habitat.

The strength of Ben Kingsley shows up the rest of the film to a certain extent. The scenes he’s not in pale in comparison to the scenes he’s in. The tension during his visit to Spain is sky high and once that comes to an end, so to speak, the film peters out a bit despite the fact that the storyline should hold that tension.

“Sexy Beast” didn’t have the commercial success of a Guy Ritchie piece but I think it has a lot more street cred. There are some gimmicky visual moments of cameras following people but it’s not as indulgent. There are some twists and turns and little things that reappear later but it’s not as goofy. More than anything else it was a vehicle for Ben Kingsley to be an absolute wizard and that’s definitely worth watching.

09 May 2021 – Sexy Beast

07 May 2021 – Always On Time by Ja Rule feat. Ashanti

Ja Rule has had three incarnations in my memory. Most recently, he was the celebrity face that seemed to legitimize Fyre Festival. That went well for him. Before that he mostly know for the beef he had with 50 Cent. 50 Cent pretty much ruined Ja Rule’s career.

Before all of that, I knew Ja Rule from “Always On Time” with Ashanti. He seemed to make a career out of duets with R&B singers. It’s a great example of how hip hop was marketed at that time. The hook is catchy and memorable and appeals to a pop audience, but then Ja Rule is rapping away about riding. It’s a catchy song but I love that it was all over pop radio and everyone knew it when I was a kid but nobody really listened to it. People are concerned about Cardi B and Lil Nas X, but they weren’t paying enough attention 20 years ago.

You can listen to “Always On Time” by Ja Rule and Ashanti here .

07 May 2021 – Always On Time by Ja Rule feat. Ashanti

06 May 2021 – Let’s Stay Together by Al Green

I’ve been getting a bit precious about writing these, overthinking the reasons for including songs. That’s a bit lame for a list that is intentionally endless and where the only criteria is being a song that I like.

“Let’s Stay Together” is an undeniably good song. Al Green has a brilliant, effortless voice and almost whispers the words. The guitar and bass gently groove along and the sound is accented nicely by the horns but the song is really driven by the percussion.

I always remember Barack Obama singing it during a speech at a fundraiser in 2012. It’s was a great PR move because I think “Let’s Stay Together” has a universal appeal. It’s hopeful while acknowledging that things can get tough. As a presidential candidate, that’s attitude you’re trying to sell and I think that’s Obama did that, even if things didn’t work out.

You can listen to “Let’s Stay Together” by Al Green here.

06 May 2021 – Let’s Stay Together by Al Green

05 May 2021 – Today by The Smashing Pumpkins

I’ve never been a great guitar player. In every band I’ve been in, there’s a decent argument to be made that I was the worst guitar player, or at least the second worst. I don’t really have the attention span to learn or practice to get any better than I am, which is passable. I wasn’t very ambitious and was reluctant to try anything I didn’t know I’d be able to do.

I don’t think I realised at the time, but “Today” was the origin of every song I wrote. There were light clean bits that were nice and gentle, and then there were heavily distorted bits and then the best bit would be when you’d play the gentle clean bit with distortion. Mission accomplished. Song written.

“Today” is a great song. The intro is very delicate and then there’s a wall of sound. It’s distorted but sounds hopeful. The choruses are light and abrupt. The verses are heavy and driving. That contrast is also in the lyrics, which range between sarcastically cheery and nonchalantly grim.

Billy Corgan is an odd boy but I could probably put together a considerable greatest hits of songs he’s written that are all among my favourite songs of all time. I try to balance the act of thinking he’s a musical genius and avoiding anything non musical about him and that’s served me well so far.

You can listen to Today by the Smashing Pumpkins here.

05 May 2021 – Today by The Smashing Pumpkins

04 May 2021 – Sexotheque by La Roux

Sexotheque is probably a strange choice of La Roux song but there’s three reasons behind this pick for song of the day.

Firstly, Trouble in Paradise is an incredible album. I accidentally ordered it on Amazon on vinyl at a time when I didn’t have the money to understand how Amazon worked. It’s super solid all the way through. I was interested in it based on the first single, Uptight Downtown, but I still don’t know what other songs were singles because it’s so consistent. With that in mind, the choice of a favourite is a little arbitrary and very much based on how I feel right now. And so, the other two reasons are why I’m enjoying this song in particular at the moment.

I like that the opening is like a song written entirely on a 90s keyboard. The guitar is lazy but doing bits. The bass is grooving away. I’ve always been a fan of La Roux’s layered vocals and I love the “money, money, money” bit in the chorus. It’s a fun song to sing.

Thematically, I like the story to it. There’s a couple. She want’s to “settle down” and he wants to “mess around”. It messes with her confidence and she wonders if it’s her fault. The song deals more with the man because he’s the problem. He sounds like a wannabe sex pest and he ends up alone. Sexotheque is a wonderful word. It’s a great example of French being used to make things more sophisticated but also sleazy.

You can listen to Sexotheque by La Roux here.

04 May 2021 – Sexotheque by La Roux

03 May 2021 – Miami by Will Smith

At this stage of this incarnation of Kevinisabastard.com I’m trying not to include songs by the same artists. There will be a time when I’m happy to repeat artists but I think it’s important to try and keep things varied right now. With that in mind, I was a bit conflicted selecting a Will Smith song. I’m not a big Will Smith fan. I’m more inclined to think of him as some kind of an alien who studied humans but hasn’t got his imitation completely right. However, he has some songs that are top tier, including Miami.

Miami is based around a great sample from And The Beat Goes On by The Whispers. That’s all you need really. From that point it’s paint by numbers. The chorus is nice and simple, easy to sing along to. There’s plenty of repetition because they knew what people wanted. Will Smith is a decent rapper and Miami is lyrically one of his better songs. Everything is nice and safe and child friendly and as marketable as possible. The video is mad goofy but it was the 90s so that’s the charm. There’s a very nice Bentley and Eva Mendes makes an appearance before she was particularly famous. The video version also has the mad part with the Gloria Estefan samples which is fun but is less relistenable – if I had to listen to the track on loop for the rest of my life, I’d pick the album version to the video version. Hopefully the situation doesn’t arise.

You can listen to Miami by Will Smith here.

03 May 2021 – Miami by Will Smith

03 May 2021 – Guy Ritchie’s English Gangster Films

When I think about what a Guy Ritchie film is, there are “real” Guy Ritchie films and then some other random things that he makes. I think the “real” Guy Ritchie films are Lock, Stock and Two Smoking Barrels, Snatch, RocknRolla and the Gentlemen. There’s a possible case for including Revolver, but I would consider that an outlier. His other films seem like films for other people like studios or to impress Madonna. The “real” Guy Ritchie films share a bunch of themes and characteristics and, if I was Guy Ritchie, these are the films I would want to be known for. I’ve watched the four of them in the last while so I’ve done some thinking about them.

They’re all English gangster films. They’re all capers. They’re all based on big set pieces with twists and bluffs and double bluffs. There are big soundtracks. They’re generally a bit of a boys club. They’re generally visually a bit edgy. And they’re big on men’s fashion.

Lock, Stock and Two Smoking Barrels, 1998 – The original

Lock, Stock and Two Smoking Barrels was Guy Ritchie’s first film and you can see all the things that went on to be Guy Ritchie staples. The cuts are nice. The characters all get intros and have nicknames. There are three women in the entire film and they don’t get anymore than a line or two of dialogue. There’s capers and set pieces. It’s good fun but low budget.

Snatch, 2000 – The best one

Snatch is the most Guy Ritchie film of all Guy Ritchie films. It looks slick. There are lots of characters with lots of storylines all crossing over and linking up. The fashion is dialled up. There’s nice coats and tweed. 2000 was a big time for British culture in terms of fashion, film and music and Snatch is a snapshot of that.

It’s the best Guy Ritchie film. It sticks to its guns. It does all the daft characters and twists and it works out as a solid film.

RocknRolla, 2008 – The step too far…

RocknRolla came after Swept Away and Revolver and it seemed like Guy Ritchie leaned a little too far back into what had worked for him before. It goes too laddish and also tries to be too poetic at the same time. The end result is fun but not as good a film as the earlier versions. Gerard Butler just isn’t Jason Statham. Ultimately, it feels like a third time trying something without doing anything new or particularly interesting.

The Gentlemen, 2019 – The version made for Americans

The Gentlemen is a perfectly fine film but it feels like an American rework of a Guy Ritchie film. It’s fun and it’s slick but it lacks the charm of the earlier efforts. It’s carried by Colin Farrell and Hugh Grant. The fashion feels like a caricature of the earlier films.

Side notes:

Revolver, 2005 – The fever dream

Revolver could be argued to fit into the above list but I feel like it’s something different. It’s crime and there’s twists but it gets lost in philosophy and ends up just not being a great film. It doesn’t have the same feel as the others. It feels hazy, less slick and seems to be based in some generic American urban setting.

Layer Cake, 2004 – The non-Guy-Ritchie Guy Ritchie film

It would be a neat conclusion if the best Guy Ritchie film was actually Layer Cake, since it feels like a Guy Ritchie film but has nothing to do with him really. It’s directed by Matthew Vaughn, who produced Lock, Stock and Two Smoking Barrels and Snatch and based on the book, Layer Cake, by J.J. Connolly.

The truth is it’s good but not as good as Snatch. It’s good fun, but less of a caper, less visually interesting. Daniel Craig is a better lead and it’s incredible to rewatch it and see how much of an advertisement it was for the role as Bond.

In conclusion…

At this point, Guy Ritchie probably has more misses than hits, but it is a credit to him to have such a distinct and recognisable style. Some of what he did might be considered out dated now but I think that’s because so much of it has been absorbed into mainstream film.

03 May 2021 – Guy Ritchie’s English Gangster Films

30 April 2021 – Beetlebum by Blur

For Christmas 2000, Santy brought me Blur: The Best Of. I’d put it on my list and looking back there are 3 clear reasons:

  1. I was 8 and there was an ad on TV and Christmas was coming and I was very vulnerable to advertising at that age.
  2. Song 2 was the theme song to FIFA 98 which I was obsessed with because I loved lists and was an odd little boy.
  3. The album cover is fantastic.

It’s a great album and it had a profound impact on my little brain and inspired years of trying to emulate Alex James’ haircut. I misunderstood the idea of a greatest hits or best of album for years. I assumed that you couldn’t have a greatest hits if you were still making music. It seemed illogical. So I just assumed that Blur finished in the year 2000 and that was it and I still haven’t listened to anything from Think Tank which came out in 2003.

The thing about having a favourite album, especially in CD form, as a small fella, is that you’ll always listen to the first song the most. So Beetlebum became my favourite song. It had great distorted guitar. The vocals are quite lazy, almost a bit too cool which seemed very fucking important at the time. It was class. I was young. I was impressionable and I was obsessed.

You can listen to Beetlebum by Blur here.

30 April 2021 – Beetlebum by Blur

29 April 2021 – Love at First Sight by Kylie Minogue

Love at First Sight is a great song and Kylie Minogue, in general, could potentially have one of the most solid greatest hits albums if I was allowed to curate it. That’s a much longer blog post for the future.

Love at First Sight is one of those songs that I will always dance to. It feels like its scientifically concocted to appeal specifically to me. The nu-disco and dance elements, combined with singing that I can’t replicate but will always try to, are perfect.

The mad thing for me is that Love at First Sight has two insane musical features that have no business being in the song but are incredible additions. There’s what I think is classical guitar in the pre chorus that just very delicately appears. This reminds me of DJ Pied Piper & The Masters of Ceremonies’ Do You Really Like It? and once I made that connection it’s impossible not to think about it every time I hear it. Secondly, there’s some insane bongos that appear around the two minute mark out of nowhere. I listened to this song for years without noticing either of those details but they’ve changed my life. Two masterstrokes in one song. What a time to be alive.

You can listen to Love at First Sight by Kylie Minogue here.

29 April 2021 – Love at First Sight by Kylie Minogue

28 April 2021 – When Did Your Heart Go Missing? by Rooney

When Did Your Heart Go Missing? is a great one hit wonder. It’s a great riff and the lyrics are sung with a great punchable confidence. There’s some great nonsense talking in the outro:

I don’t know where your heart went
It was here just the other day
Now it’s gone
I’m gonna call the police
Call the investigator, the heart investigator

But sometimes the reason I love a song is the trivia around it. This is one of my best bits of trivia and it’s a spider web of useless information. The lead singer of Rooney is Robert Coppola Schwartzman. His uncle is Francis Ford Coppola so with that you get all the linked madness there. Nicholas Cage, Sofia Coppola and Roman Coppola are his cousins. And his brother is Jason Schwartzman, the actor, but, also very interestingly (if you enjoy this kind of nonsense), the former drummer in Phantom Planet, another band with a classic one hit wonder from around the same time, California.

You can listen to When Did Your Heart Go Missing? by Rooney here.

28 April 2021 – When Did Your Heart Go Missing? by Rooney